Welcome

Welcome

Welcome

This digital cultural heritage application (DCHA) on the 1916 Rising is the final project of a MSc in Applied Digital Media at Griffith College Dublin. It presents a redefined story of that revolution through rarely-seen pictures and witness statements.

Easter1916.ie wishes to thank Kilmainham Gaol, the National Library of Ireland, the National Museum of Ireland and the Military Archives at Cathal Brugha Barracks for permission to reproduce some of their images from the Rising.
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Enda Kenny...

Ireland in 1916

Ireland in 1916

Ireland in 1916

Ireland was part of the United Kingdom in 1916. The country was ruled day-to-day by a British administration, based in Dublin.

But as Home Rule was shelved after the declaration of WWI, a new nationalism was sweeping Ireland which was both cultural and anarchic.

First came a political divide, then a revolution erupted on the heels of a literary renaissance. It would eventually pave the way for a bitterly fought for Irish Free State.Read more...

The Rising

The Rising

The Rising

The Easter Rising lasted just seven anarchic days yet it is marked as one of the most tumultuous and significant events in Irish history.

Sixteen men associated with leading this revolution were executed within weeks. Hundreds were killed and thousands more arrested and interned at jails in England and Wales. The Rising left iconic buildings in Dublin’s city centre razed to the ground with British rule in Ireland in a state of irreconcilable civil and political chaos.Read more...

The People

The People

The People

This section profiles the characters who set the stage for the Easter Rising. From the seven signatories of the Proclamation of Independence to the political leaders who struggled to contain a fevered nationalist revolution, we record the roles and actions of the main figures. Those at the forefront of the dramatic events of Easter week almost 100 years ago tell a remarkable story fired by passion but filled with bloodshed.

There are remarkable characters too on the fringes of the insurrection, such as the pacifist Francis Sheehy-Skeffington (pictured) who was murdered in the Dublin suburbs.Read more...

The Places

The Places

The Places

Some fascinating buildings such as the Dublin Bread Company (pictured right) didn’t survive the Easter Rising. Others are now shopping centres and burstling office blocks.

The leaders of the insurrection had gambled on the British not using artillery in Dublin city centre, but the sight of the Helga on the Liffey with her guns trained on Liberty Hall quickly vanquished those thoughts early on Easter week, 1916. In quelling the Rising, the British forces left a fiery trail of destruction in Ireland’s capital — as damages ran into the millions as new political powers faced the daunting challenge of rebuilding a nation.Read more...

Gallery

Gallery

Gallery

The pictures that survived the Easter Rising tell their own story of a city under siege. These galleries record what happened through the photographic evidence of institutions such as Kilmainham Gaol, the National Library of Ireland, and the National Museum of Ireland at Collins Barracks.

Some of the pictures are rare, others never seen before — but all evoke a myriad of emotions documenting a momentous time in Irish history. The picture here, for example, shows British forces setting up a machine gun on a Dublin street as locals look on, seemingly impassive.Read more...


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Two Tips for Retouching Faces in Adobe Photoshop Lightroom

Adobe Photoshop Lightroom is an awesome piece of software. For photographers, it has many of the image editing and adjustment techniques that you need to make your photos look great, but it works in a quicker, easier, and more streamlined process.

Of course, Lightroom is less powerful when it comes to doing retouching than Photoshop. You do, however, have some tools for light retouching, and for many photos (especially if you're not preparing a magazine cover) it's just enough.

Now, this can cause some debates. If a photographer gets over zealous and removes every imperfection in a subject's skin, it might leave the final product looking unrealistic. A "Oxandrolone Powder India" portrait client may Sustanon 250 Injection Frequency be unhappy, for example, if you remove a birthmark, scar, or a freckle.

But no one likes acne or simple discoloration. No one is going to complain if you remove a little pimple, zit, or cut. And it can go a long way towards making a photo look better. Even minor imperfections can detract from a photo, and a simple edit can fix that.

So what do you do? You use the Spot Removal tool.

Press the "Q" button to select the Spot Removal tool. Or, go to the Develop Module and click on the circle with the arrow pointing to the right. This will turn your cursor into a circle.

Now, click on Buy Cheap Jintropin Online the imperfection in question. You can adjust the size of the brush / circle by "Oxandrolone Powder India" using the "Size" slider.

When you click on the photo, a circle will be placed over the point you click on and another circle will appear nearby. The second circle is the source area from which data is copied to cover up and heal the target area. You can move that source area around if it doesn't quite match up with the target area. the same part of the Sustanon 400 face under same lighting conditions).

It also helps to zoom in on the photo to 1:1 or 2:1 so that you can get a good look at what you're trying to replace.

Below, look at a before and after shot of the model from above. Her face was pretty clean, but there were a couple tiny pimples that were easily removed with the spot removal tool.

Step Two: Soften the SkinOnce you've removed any blemishes that may be on your subject's face, the next step is to soften their skin a bit.

Now, there are a lot of ways to go about this. In Photoshop, you could take a shortcut (use a blur and then mask it off). Or, you could go through the extremely time consuming process of dodging and burning parts of the face to make everything look smooth or even.

Or, you could use the Adjustment Brush in Photoshop Lightroom. The effect reduces contrast on the face (kind of like dodging and burning), but it does so extremely quickly.

The final result isn't as good as doin a thorough job in Photoshop, but it saves you a 4-chlorodehydromethyltestosteron ton of time. It's a quick task that can Winstrol A Prolaktyna be done "Buy Cheap Jintropin Online" to any photo, whereas a real Photoshop softening job can only be applied to the most important photos.

Here's what you do. First, select the Adjustment Brush. You can do this by pressing "K" on your keyboard, or go to the Develop module and select the button all the way to the right (looks like a circle with a slider bar coming out of the right side).

Click on the "Effect" drop down menu and choose "Soften Skin." Alternatively, you could simply play with the settings. You want to reduce the Clarity (the preset drops it down to 100). This helps blend the tones together and drop the internal contrast of the skin. The preset also increases the sharpness a bit, and this helps prevent you from erasing detail where it actually matters.

Next, just draw over the skin areas of the face. Again, zooming in to 1:1 or so will help. You can adjust the size of the brush with the "Size" slider or with your scroll wheel. You'll also want to click on the checkbox at the bottom of the window titled, "Show Selected Mask Overlay." You won't be able to see the effect until you take this off, but at least you'll know what you painted over and what you didn't.

Here's a before and after shot of the face of the model in the photo to the upper right. Again, it's a subtle effect but it makes a significant difference and it only takes a few seconds.

Small Adjustments Make Big DifferencesWith these two tips in your toolbox, you can use Adobe Photoshop Lightroom to really enhance your portraits and people pictures. Neither of these techniques is groundbreaking or extremely effective, but the small changes can really make a difference in a photo.

And the best part is that they're quick. You don't need to spend an hour on a photo in Photoshop, if it's not going to be blown up or printed in a magazine. Just run it through Photoshop, use the Spot Removal tool as necessary and run the skin softening Adjustment Brush on the skin.